Game Review: Sleaford Mods' Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era
Produced by Portishead co-founder Geoff Barrow, this scabrous though slight first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film releases in British and Irish theaters from November 17.
